Showing posts with label 5644. Show all posts
Showing posts with label 5644. Show all posts

15 April 2013

Ten Paces and Draw

I found this really cool website: http://www.tenpacesanddraw.com/
 
Each week, the people that run the website sets a challenge for designers and illustrators to sketch and swap with others to make cool designs. So the whole website has designs from different people and sketches also.
 
And you can see all the different challenges that they had. One of the challenges that I like is Character Redesign because they had a Star Wars challenge and all the designs for it are awesome. Also when you design something for a challenge they put your information in like your website so if people like your stuff they get to know more about you. So if you're bored, you can contribute to the website and do one of the challenges!

IPhone App Design

I got a e-mail from LikedIn with articles related to design, and one of them that I thought was interesting was the 21 Beautiful iPhone App Websites. I thought it had great app examples and why their designs are successful. Most of the designs shown are simple and clean, which is really attractive to me. They also do a great job in simplifying information into icons and something fast to read and understand.
I thought this would be somewhat useful for Kirkby's class, since we are thinking about mobile first. It is also neat to see how such simple designs can be so successful and how color choice is such an important part of the design in these apps.


10 April 2013

20 Motivating Design Quotes

While using Stumbleupon, a giant mash-up of everything cool, I found this great article called "20 Motivating Design Quotes for Graphic Designers."Though a lot of them apply to artists in general, it really made me rethink how I design or how I came to want to design. A few definitely caught my attention and stirred up more thoughts than they probably should have.

"Every child is an artist. The problem is staying an artist when you grow up." Since I could hold a pen, I have been drawing in every single Disney book I had, on every wall in my house, and on all the tables up until mid-teens when I began to enter contests for drawing and painting. I know a lot of people that said they wanted to be an "artist" when they grow up when we were asked in elementary school, yet I am one of two in my graduating class of 120 kids to go on to pursue an art degree in college. I think a lot of people get the creativity pushed out of them because they "need" to pursue a more "realistic" career. For me, I'm glad I was able to stick with what I love and enjoy every minute of it (except for when I'm an hour before a deadline and only halfway done).

"Good design is all about making other designers feel like idiots because that idea wasn't theirs." Let's be real, whenever we present work, all of us see at least one design and think, "Why didn't I think of that?" It's part of making what seems to be obvious strengthened by good design and concepts.

"Those who do not want to imitate anything produce nothing." We all derive inspiration from somewhere and I know sometimes it feels like everything has already been done, but I love this quote because it shows how you need to find inspiration from something to create the wireframe for a design. It could be shapes, colors, textures, or anything that you see and moves you to create something even better by being influenced.

You should definitely check out the other quotes, they could make you rethink an idea so simple and inspire your designs!

08 April 2013

Magazine Design


Magazine Design

I found magazine design really interesting. It isn't like book design or poster design. It is a mixture of a lot of different design. I stumbled across Inspiration Hut and found some really cool magazine designs. I also found some really cool ones on Neat Designs probably my favorite examples. Another site called Designer Daily was a great place to browse through magazine designs.

The cover of Maverick is really cool. It doesn't follow the regular design that most magazines do. I like that some things are sideways and somethings are drawn on the cover. It has a very modern feel to it.

I really like the way they separate columns and lay out their pages. The clean and finished feeling that they have is inspiring.

01 April 2013

The Designer's Toolbox: You Bring the Inspiration, They'll Worry About the Rest

Hey guys!

As designers, there are a lot of numbers and resources that we need to do our jobs well. Templates, dimensions, and conversion factors are all huge necessities that can be as hard to find and scattered as they are essential. They're not all that creative or overly-interesting, but without them our jobs would be a lot harder.

For designers who wish they had one bookmark to point them in the direction of these essentials, The Designer's Toolbox may be the answer! You can find envelope sizes, examples of different styles of binding, web standard dimensions, and more on this sweet website!

The DVD/CD Label Resource on Designer's Toolbox

It'd be a rough task to list out all of the things that make this website so handy, but make a point to follow the above link and check it out for yourself! It's made my bookmarks list, and I hope it'll make yours too!

Patakk: Gifs for the Artsy People

I could spend hours looking at gifs that relate to my life. Excitement, peril, happiness, etc.

Granted, my favorite gifs are disney-related... BUT sometimes you just want one that's pretty, and nice to look at. Lucky for us, someone else feels the same way. I give you Pattakk, the Tumblr account dedicated to soothing, artsy gifs.

I'm so attracted to them because they're simplistic design that is in motion. Static design is beautiful, but these  seem to come alive in a way that is impossible for other types of design.

So the next time you want to take a homework break, cleanse your mind with these little guys.



See now? Don't you just feel better about life?





11 March 2013

Old-Timey Branding For Small Businesses

This article shows 14 examples of new logos with an older feel. Most of the examples are of small business logos, designed by designers all over the world. I feel like I have been seeing this trend a lot lately, and all these logos are very cool and well designed. I really liked the used of geometrical shapes in several of them. If you trying to design a logo this is a good place to look for inspiration.
Here are some of them:


And if you got some extra time check out A Projector and a Fog Machine Create Startling Visual Spaces. This is a very interesting and cool looking exhibitions, great environment design piece!

I love Typography


   I stumbled upon this website a while ago when researching some sign design stuff I was working on and this site has tons of amazing resources for typography.  The site has basically all the answers you would ever need for any typography type questions.  There are an endless amount of interviews posted with famous type designers and how to go about using the right typeface for certain jobs and even breakdowns of how to go about creating your own typeface from scratch.  The site also has a link to Codex Mag which is another awesome journal for typography.  I would definitely recommend this site if you come across any typography/design problems.


03 March 2013

Applied Design

I recently watched a video clip from the Colbert Report featuring Paola Antonelli, the senior curator for the design and architecture department at MoMA. She discusses the future of design is going to be inspired and created through physics, known as applied design. Applied design considers more than just theoretical design, which is more the artistic side, but rather considering natural materials, physic's forces and formulas to create new, innovative designs to minimize size or increase productivity, and more practical ways to create with natural forces.

She shows examples of a vase made completely by bees just through coating a shaft with honey and the bees naturally creating a honeycomb out of the object. This is using natural occurrences and free manual labor to create objects.

The next example she goes over is a large, spherical object that has disc-like plates mounted onto bars protruding from the center called the Mine Kafon Ball. At first, you think it's just an interesting sculpture, but she explains that this object is to be propelled by the wind across mine fields and cause the mines to explode. Right now, it costs around $10,000 to take a mine out of a minefield, but the new design can be used up to 5 times without the use of anything but natural power. Ideally, it could be used by local farmers as a cheaper way to remove mines from fields, not put any lives at risk, and the damaged parts can be replaced easily. You can watch a video here about his influence from childhood toys he played with in the windy desert.

Lastly, she speaks of a desk design that will be used in areas that have a large amount of earthquakes. Since students are taught to take cover under a desk, the desk is equipped with shock absorbers and durable materials so if the roof were to fall in, the children would be safe under the desk.
I think applied design is taking design to an even more practical and noticeable level. As we know, the world is completely run by design whether it be traffic signs, icons, typography, or the design of our homes and appliances. These are easily overlooked, but these make a usual object have more purposes than just the traditional aspect or it makes people reconsider new options. To me, this a great step in a new direction that can only progressively become better with new ideas and interesting ways of using the natural occurrences that surround us in our design plans.





25 February 2013

Typography Usage


I feel like my blog this week is posted for more of my own benefit, but I do think it could be helpful to all designers to at least check out the designs on this site here. I am currently in a design lab class with Patricia Murphy and we are working on a book that is to be published by the end of the semester! As designers, it is our job to help the author use creative typography like Toby & Pete's that is seen at the top here, to illustrate 100 plus ways to save the planet. I have been a big typography fan ever since I started doing graphic design and therefore, to be a part of this book project is super exciting to me! I have been researching several different type blogs and pages on the web to help me out on a few pages so if any of you have any cool websites to suggest, I would love the help since there are a lot of pages in this book! Enjoy!

24 February 2013

For the Love of Helvetica

Flipping through design blogs this week, I stumbled upon Goodbye Helvetica, and was instantly amused and curious.

Why are we saying goodbye?
Helvetica is a good font!
(Also you should know now that I thought it would be appropriate to write this blog post in Helvetica. You're welcome.)

Upon further reading of the site, I found that the "goodbye" to the typeface had come after a long, committed 1-year relationship.
Dominique Falla, the writer of the blog, used Helvetica in every design she made (minus client designs) for a whole year. 

As a designer, she thought that the challenge would push her. Helvetica is such a beautifully designed typeface, which brings it popularity. Falla says that her time spent with a single typeface refined her skills, and she enjoyed not having to pick and choose a typeface every time she started a new design. 

According to Dominique, the year was a success, and she thoroughly enjoyed proving, "... how beautiful this cold and emotionless typeface can be if it is treated with some love, care, and attention."

Domonique Falla is a very seasoned and talented designer. I encourage you to check out her website



11 February 2013

Shoe Art by Sloth


This is Timmy Hamm AKA SLOTH.  He is a young talented artist/designer from the north Phoenix area.  Sloth first started off as a graffiti artist hitting walls all over the valley and moved onto tagging trucker hats and shoes for his friends from school.  I first saw his work when I was into graffiti while living in central Phoenix years back and noticed his unique style and how different it was from all the other surrounding pieces.  I’ve followed this guys work for a few years now and watched him progress into a self made designer who has a brilliant way of marketing himself and landing amazing gigs designing for companies the likes of Vans and Red Bull (click the link to see his process of painting the shoes).  


His style is really unique and different compared to so many other designers of this day and age and his personality really shows through his work.  There is something inspiring about someone who found something they love doing and has turned that passion into a profitable business and has fun while doing it.  As a of recently he has become completely self employed as an artist and designer and is a one man army behind the Sloth tag and business.  Hope you enjoy his work as much as I do.





You can follow his blog here

Book covers

I love books covers and everything about them... most of the time. So I found an article talking about the whole design of the book cover and who decides what the covers should be and it turns out that the authors don't have any say in the cover for their book and it's the editors and designers choice (who are "trained" to know what catches a persons eye). Which surprises me since some book covers are bad and you cant even read the title of the book sometimes.
 
Don't judge me but I do sometimes judge books by their cover just because I think they're pretty and would look good on my bookshelf. But sometimes, it looks like someone had a little to much fun with photoshop. For me, simplicity catches my eye because it gives an air of mystery.
 
A great color scheme works to. The Beautiful Creatures covers have a simple color scheme:  black and purple, black and blue, black and gold, black and green. It doesn't change with a different book. Theres a balance and it flows well together.
Matt Taylors designs for books are amazing also. Simple yet effective. They are colorful, not overbearing and you can read the title!

I'll admit, there are some book covers that go well with a lot of things going on in it like the cover for Across The Universe by Beth Revis because space mystery! It doesnt feel over bearing yet theres a lot going on. 
 
I also feel like if you want to go all out then draw it. Like Harry Potter covers, they're magical and drawn very well. Ruben Toldeo, fashion illustrator, did some book covers for Penguin Classics books which I think are very beautiful and yeah I had to buy the Jane Eyre one so sue me. He also did Wuthering Heights which I would actually read just because book cover.
 
Overall I think the design of a book can make or break sales of any book. The whole deign from the colors to the type that they use. It's like a first impression.

Me.Show inspiration blog




I found this website, Me.Show,  to be a very interesting and organized design inspiration blog. The posts are divided between several different sections, including advertising, posters, design, photography, etc. I found the advertising section the be very entertaining. Most of the ads are humorous and all of them are very relatable. My favorite is the Baygon ad,  where girls being held by serial killers while screaming about insects on the floor.
The Design section is also entertaining, it shows product and print design of different brands. I found the "throne" toilet design quite hilarious. If you are bored and in the mood for a laugh, or maybe just looking for some cool design inspirations, you should check this website out.

05 February 2013

INTERVIEW: Niko Adams, Parrish


NIKO ADAMS, Graphic Designer // Parrish
Niko is a graphic designer for Parrish (based in Portland), working on-site in NYC. She is a talented, driven designer, with experience in Helsinki, Finland studying design, honing her craft and fine art skills in Arizona, and now working in UX/UI in Times Square.

SCHOOL:
 

what was your first step as a graphic designer after finishing college?
Contacting everyone I knew (and many I didn’t) who were even loosely related to design. Hunt down alumni, friend’s parents and old classmates to see where they’re working, how they like it and more importantly, if they know of anywhere that’s hiring. I also sent emails to agencies asking if they needed an intern. (see next question for more on this)
 

what type of internship/s did you do? any recommendations for landing an internship?
I had two internships, one that was unpaid during school and a post-graduate, paid one. My unpaid internship was at Anthropolgie building window displays and such for about 12 hours a week for less than a semester. I was then hired on, which has helped me land lots graphic design jobs. It says “I’m versatile and can build things,” which is appealing in a career dominated by computers; so never be afraid to put “artsy” works in your portfolio, it could help you.


Post-college internship, Nomadic Agency. This is one of those fate driven situations, which is how everyone will get a job. I wrote them an email saying I liked their work and asked if they needed an intern. After hearing nothing for a month, I was contacted, interviewed and working there within a week. Their intern backed out last minute and I was in. I worked there for 40+ hours a week, paid. It started as a 3 month internship, but I stayed for over 6 months. I learned so much from them. I can’t say enough great things about them and how much they’ve helped me get to where I am. To get an internship, find places you like and politely beg them to let you work and learn from them. Nobody wants/can work for free, but if the internship is going to help you go where you want to, you might have to.
 

did you feel prepared coming out of school to work where you are now?
Hell fucking no.
 

are you satisfied with your BFA? any interest in going back to school for MFA?
Maybe, if I find my focus I would go to SVA or RISD to get a MFA. But currently, negatory.
 

what is the best advice you can offer a VC senior?
Stay strong and be brave.
 

how has your design style developed since school?
In school, I made art-based design work. Scanned in my drawing, old slides, cool things. Now, I’ve learned the art of high quality work in tight deadlines. I also work in a field I never thought I’d touch, so I’m constantly learning how to apply my style to it.
 

is it better to have a physical portfolio or a digital one?
Both are equally as important for different reasons. Make sure your website is badass and up to date, always. I bring a couple 8.5x11” portfolios to interviews, and working in the digital world, it kind of freaks people out. I also leave one behind, which is always followed by “are you sure?” The more reminders that you existed, the more likely they will get back to you.
 

do you ever do any free work, just to get your name out there?
Unless it’s for a really, really good friend, or my mom, no. If they are big enough to get your name out of the world of design, they are able to pay you. But I say use your best discretion on that. You will know what’s best for you.

what was more useful, school or on the job experience?
30% school, 70% job. School mostly taught me how to pull an all nighters and sit in the same place for days.
 

in your opinion, was all of the student loan debt worth it?
A million times, yes. Would you rather be a designer in New York or a hostess at your home town’s Applebees?
 

will specializing in a single area of design be helpful or hurtful as a graduate?
Double edged sword.


how stressful are interviews?
Personally, I love interviews. You sit, smile, talk about yourselfnothing too stressful. Think of it as a blind first date, you really want to impress this other person so that they call you back. Just be comfortable.
 

do you format your portfolio to cater to the place you are applying? how do you decide what to include and what to omit?
YES, duh. If I’m applying to a print position, I put in the best work that I have done in print. Do NOT include subpar work just because it’s relevant to the position. Every position you apply to should have a portfolio tailored to the job. I understand as students, you may not have a ton of options, but editing is a big part of building a solid portfolio. Don’t be shy about it, send your portfolio to your fellow designers and get their feedback on what to include and what not to.
 

what skills would you say are most important?
Honestly, social/interpersonal skills. The person you’re being interviewed by will probably have to see you daily, and they don’t want a miserable sack that can’t hold a conversation mopping around the office. Unfortunately, untalented charismatic designers get pretty far, but ultimately hit a ceiling, so don’t fret.
 

how was Helsinki’s approach to design different from the US?
They love designers. Their clients let designers do their job without micromanaging or taking their wives opinions as gospel. Finnish/ Scandinavian design is all about saying one thing simply. We (America) try to cram as much content into a logo as possible, which is generally unnecessary.
 

WORK:

what is the path that brought you to you current place?
I made a promise to my best friend that I would move to where ever she got a job, and I don’t fuck around with pinky swears.


what are the best ways to get work? be seen? advertise yourself? what is the best way to promote yourself?
Make good work and be likable.
 

how did you start working where you are now? how did you land work in NYC?
The day after I moved to NYC, I had two interviews, one on the next day and two the day after that. I sent out my resumes, used my friend’s address when necessary, and got interviews set up. I also had a series of very fortunate events that allowed me to successfully freelance for four months.
 

was rejection a big obstacle for you when starting your post-college career?
Naturally, yes. As a designer straight out of school, I was fragile, insecure and scared shitless. You’ll have moments like this too, if not, fuck you. But rejection motivates me to spite the jerks that didn’t want me and get a better, more awesome job.
 

did you apply for jobs based on where you wanted to live, or based on the job itself?
Both. If you know where you want to live, go there. Something will come your way. You’ll make connections. Be in the know. Generally, it's easier and more likely to a job in the place you live. If you know exactly what you want to do, apply for jobs in places you don’t live, just know it will be significantly more difficult.


what is the best way to understand, precisely, what a client wants?
Talk to them about things they like and react to. Even if it has nothing to do with the project. Non-art based folks have a hard time expressing their aesthetic preferences, but they might have a favorite car or band that could help you crack the code.
 

what is the single most important/valuable thing you’ve learned in your experience?
FAKE IT UNTIL YOU MAKE IT.
Maybe you said you know UX/UI and don’t but got the job anyway. You will now be watching 72 hours of tutorials and talking to anyone who’s made a wireframe.
 

what did you have to do to get recognized/seen by big companies?
This will sound awful, but I have just known people, by happenstance, that work for great companies, which I was fortunate enough to sneak into. (this applies mostly to NYC)
 

what was your first paying project/gig?
My friend’s band’s album. It sucked and was great.
 

what is the most important design tip you’ve learned since working in the graphics field?
Always stay up to date on trends, style and techniques in the design word.
 

how often are you forced out of your own style to please clients?
Too frequently.
 

what is it like to design in NYC?
It’s probably the coolest thing ever.


PERSONAL/DESIGN PROCESS
 

what helps to keep you inspired?
The internet and MoMA, occationally fresh air is nice. Some days I’m not inspired, these are sad days. I usually wear black to mourn my loss of creativity during this time.
 

what is your process for choosing a typeface? any favorites?
I go through ALL, I mean all, of my typeface to see which is a good accent to what I’m making, and then settle on a sans serif. Most projects in the work place, you will be given a typeface to use. Mostly likely websafe, most likely Arial.
 

what is your design process?
Have an idea or just start drawing a bunch of stupid shit. Then refine the ones that don’t totally suck.
 

do you ever have time for personal projects?
Yeah. My free time is for personal projects.
 

what does a finished project mean to you?
A well deserved deep breath and a new project.
 

are there any traditional, off-computer tools you like to use for design?
There’s this really awesome medium no one really uses anymore, but should because it’s where most amazing ideas come from, it’s called a pen and paper. Carry it with you always.
 

what do you like about the medium you work in? have you always wanted to work in it?
I like that it’s quick and easily changeable. I wanted to be a real artist with paint and clay, however, I enjoy not living off my parents, and I also took incredibly well to the advertising world.
 

how much design work do you do in your spare time?
My spare time is design work because I fucking love it. If you would rather spend your weekends and evenings doing nothing, you’re in the wrong field.
 

what brainstorming techniques do you find most helpful?
ACID! I’m kidding, mushrooms.
But seriously, just thinking and making doodles kick starts ideas. You can’t just sit around and wait for an idea, sometimes you just have to start with material and see where it takes you.
 

two words to describe John?
Jelly. Beans.
Curmudgeon. I don’t need two adjectives.
Picky. Old.
knick. knacks.

(editor's note: I keep including these, strictly for your entertainment, students.)

04 February 2013

HOW Magazine


How Magazine is a designers paradise, a bi-monthly magazine for designers, be it web, print, or anything really. The HOW Website has almost everything you would ever need to know as designer. There are design ideas, articles on designs, help with self promotion and salary negotiations, even tutorials. There are even options to have them critique your work, and they host competitions for a chance to show your work in the HOW Design Conference. They even have a magazine to compliment the website, well the magazine did come first but the website has taken it to a whole new level.

Olly Moss

One of my favourite and most influential designers is Olly Moss. A lot of his work takes well known video games, TV shows, and movies, and will recreate them through his eyes. He does a lot of movie poster recreations as well as game covers. He has a very simple and flat style that engages the viewer. These are some posters that are my favourites. His gallery of artwork can be found here: http://ollymoss.com/galleries/posters.



The dos and don'ts of color

the colour wheelFor my research this week I decided to focus on color, in particular how to use it and what you should avoid doing with it. Color can have many effects, from drawing attention, to setting a mood, or even reinforce recognition of something. As we start out life babies are typically interested in color more than form, however that begins to change as we mature and assign meaning to form. However, color still remains a dominate force in perceiving messages. We can start understanding color by understanding the color wheel. As most probably know, there are three main colors (Or primary colors) and these are red yellow and blue. You can combine two neighboring colors to create tertiary colors. When working with color pairing it is important to note the saturation and value. Saturation is how much grey or lack of grey a particular color has in it, the grey usually results in the color either looking muted or bright and vivid.

There are a few basic rules of color pairing. The first is that colors combined with their various shades look good together, this scheme is known as monochromatic. Another color scheme is known as analogous. This scheme follows the rule that colors like to hangout with their neighboring colors. These color schemes are harmonious because they all have the same undertone. For example, if you wanted to have a blue dominate scheme you could use colors like purple and teal. The last rule is that of complimentary colors. Colors look good when paired from the opposite side of the color wheel, effectively opposites attract. When pairing colors it's important to note the undertones though. For example, the reddish orange of a terracotta pot works well because it has a yellow undertone causing the different colors to blend harmoniously. However, you don't want to pair an undesired undertone with a compliment. For example, combining a brown with a pink undertone with a green will look awful.


colour change case 1It's also important to note how colors interact with their environment. Take the example to the left, the two lines are both the same color. However, they appear to have a different hue to them. The box appears to be lighter than the line on the bottom. The bottom line is completely surrounded by white space, so naturally it pops out and appears much darker then the thick block. Colors tend to be intensified when placed next to opposites or different intensities. So a dark color placed next to a white will look darker, and a lighter color will look brighter.  A neat trick is to encase a lighter color with a darker shade. The darker color emphasis the encased color and keeps it from spilling off to the rest of the composition.

Revamp Your Work Space

This post is not related so much to the art of graphic design, but more so the basics that help us get our creative gears moving. I stumbled upon this great design website called Eighty One Design. Within their site, they created an article that compiles pictures from several design studios that shows their work space. Each of us knows that whenever we are in a slump or lacking inspiration, we look to our environment for new ideas, shapes, and colors. It never helps when we're in a boring room or in a space that does not really suit our imaginations. Here's a few offices that I think are very reflective of the designs that the companies create:

Google

Three Rings Design

Lego

Pixar


Graphic Design studio suggestion


All of these offices and studios surround themselves with patterns, colors, and past works along with organic and architectural elements. These studios create new and whimsical environments with Google having a cloud-like floor while Pixar created small houses to hold each studio. Why these themes or elements were chosen is unclear, but one can assume the designers worked with the interior designers to let them know what makes them feel comfortable, productive, and inspired.

Another thing these studios al have in common is how successful they are. Apparently, a good design may have its roots from an inspirational studio. So, I think it would benefit all of us to rethink the spaces we create our designs in. Try going outside to sketch or relocating to a new room in a different building you have never been in. Even better, put up posters, pictures, and try painting your walls or creating a mural. It's an interesting idea that your work space can influence your designs for the better.





Alton Brown by Hampus Jageland




The Swedish designer Hampus Jageland designed the packaging for the visually impaired. Alton Brown is a brand of spices that also have olive oil and balsamic vinegar. The olive oil and balsamic vinegar come with a special spoon that makes it easier to measure and pour.

The packages have embossed braille for the impaired to read and the text is in the same spot on all of the products so it is easy to find. The logo AB means the something to both blind and seeing people. When reading braille one dot is an A and two dots is a B. The packages for the liquid are sustainable and the refillable bags are made from recycled paper.

I think this packaging is amazing. I enjoy the very clean design. There isn't any clutter, it is very minimalistic, which works because visually impaired don't need to be confused when trying to find a spice. Not only does it look nice, it also is great for aiding the visually impaired in every day life. I have never thought about what it would be like to be cooking blind. It is good we have products like these around.